This workshop will explore how poetry can transform our relationship with grief by using elegies, language and imagery to relinquish pain, give power and honor our losses.
UPDATE: This workshop is now Sold Out. Four award-winning novelists--Mindy Friddle, Rebecca T. Godwin, J.C. Sasser, and Michel Stone--will share their instructive insights on how to cultivate resilience, stoke your creativity, and find success as a writer.
Narrative Poetry and the Oral Tradition of Storytelling, with Monica Lee Weatherly, explores the art of storytelling through verse. In this workshop, participants of all experience levels are invited to learn the history of narrative poetry and develop skills to create poetry that combines the rhythmical qualities of language with the traditional elements of a story including, character, plot, structure and theme.
In this seminar and workshop, participants will discuss setting in prose fiction, including its importance in establishing “place,” its integration into scene, and its support of characterization and theme.
Taking its title from a Talking Heads song, this two-hour workshop uses verbal play, emphasizing lyricism and non-narrative technique. As in jazz, a lyrical poem riffs on the verbal energy of its initial lines to evolve towards a whole greater than the sum of its parts.
This workshop will explore a broad range of writers, from Thicht Nhat Hahn to San Juan de la Cruz to Toni Morrison, whose writing has been anchored by their belief in (or search for) the Divine.
This workshop is now sold out. Our thanks to everyone who registered in advance. Led by an award-winning memoirist and novelist, this workshop is for those who want to put in writing their cache of family legends or happenings, and for those who want to assist their parents or relatives or friends in doing just that. A great holiday gift for a loved one!
This interactive writing workshop will highlight how to use therapeutic journaling to become more resilient by transforming traumatic events into opportunities for growth, reframing failures into successes, and changing unhelpful habits into ones that strengthen wellbeing.
In this virtual workshop led by USA Today bestselling novelist and Tall Poppy Writers founder Ann Garvin, you will learn how to get to the very heart of your project and make certain that the story you're working on is compelling and clear. Even the most complicated or quiet of tales can be pitched in such a way that people will sit up and take notice.
Whether your goal is a family-only writing project or maybe something a lot bigger, begin writing and sharing with other writers in this follow-up to the February class. This course will enable you to start (or continue) the process with a goal of completing a project in the fall.
In this class, we’ll work on engaging with a character’s thoughts and feelings in ways that move beyond these cliches, using specificity and deepening character. This will be a generative workshop. Using your own characters and their harrowing situations, we’ll look at, discuss and practice Rebecca Makkai’s four techniques to writing interiority: Action, Thought, Specific Physical Interiority and Tangential Thought.
In this class, we’ll study some of the best flash fictions around, from Amy Hempel to Venita Blackburn. We’ll write one to two flash fiction pieces each week and share our work for feedback in small groups.
In this highly interactive four-day workshop, we’ll reactivate (and even befriend) our inner editors. We’ll examine other writers’ early drafts, try our hand at editing those, and compare our efforts to final, published versions. Instead of worrying where to put commas, we’ll explore where our characters are, what they’re saying and doing, and why.
In this highly interactive four-day workshop, we’ll reactivate (and even befriend) our inner editors. We’ll examine other writers’ early drafts, try our hand at editing those, and compare our efforts to final, published versions. Instead of worrying where to put commas, we’ll explore where our characters are, what they’re saying and doing, and why.
In this class, we’ll study some of the best flash fictions around, from Amy Hempel to Venita Blackburn. We’ll write one to two flash fiction pieces each week and share our work for feedback in small groups.
In this highly interactive four-day workshop, we’ll reactivate (and even befriend) our inner editors. We’ll examine other writers’ early drafts, try our hand at editing those, and compare our efforts to final, published versions. Instead of worrying where to put commas, we’ll explore where our characters are, what they’re saying and doing, and why.
In this highly interactive four-day workshop, we’ll reactivate (and even befriend) our inner editors. We’ll examine other writers’ early drafts, try our hand at editing those, and compare our efforts to final, published versions. Instead of worrying where to put commas, we’ll explore where our characters are, what they’re saying and doing, and why.
In this class, we’ll study some of the best flash fictions around, from Amy Hempel to Venita Blackburn. We’ll write one to two flash fiction pieces each week and share our work for feedback in small groups.